autumn collection 2024
autumn collection 2024
My art is often a reflection of my life. This is really no surprise. As an abstract painter, I am drawn to paint thoughts and feelings rather than a physical object or landscape. This season, my life and my art is centred about the home. We are busy building a new home for ourselves now that our children are all grown. This has caused me to reflect on the many homes I have lived in throughout my life. To me, home is not just a structure, but a manifestation of the people who live there, a feeling, an atmosphere and ultimately a memory.
I have taken this inspiration and painted a series of eight works, each one unique, but all connected by my interpretation of home. I chose to paint in a vibrant colour palette, my homes are always busy, bright and eclectic. I have enjoyed using translucent hues, partially as a metaphor for a true home being somewhat a window into the lives and loves of the people who live there but also because of the beauty inherent in the medium and the way it allows you to play with application techniques, value and contrast. The initial layer of collage, over ‘lumpy’ gesso, creates the texture I love and is made up of papers taken from books and manuscripts which had a place in my memories. For example, there are pages from a cookbook, some music, some shorthand and pages from novels written in a language foreign to my own. I have then followed my process and layered shapes, textures, colours and drawing to create the final pieces.
I have named each painting with a memory or a feeling but tried very hard to allow for you, the viewer, to not be prescribed an interpretation of each painting by its title. One of my objectives when painting is that each viewer may find something that resonates at an entirely personal level.
These paintings are a physical manifestation of my thoughts, memories and dreams. They expand and duplicate my experiences and my imagination. My work is a part of me, I hope it connects with you too and that you enjoy my Autumn Collection 2024.
spring collection 2023
Sometimes it seems that we begin to measure our success in life by a measure of our busyness and our level of fatigue. I choose to keep reminding myself of alternative metrics which encompass happiness, connectedness, and silence.
This series of work explores and embraces simplicity. The pieces are a celebration of the urban landscape and the simplicity of these shapes and structures amongst the infinite complexity of the natural world and our lives. The Spring Collection 2023 is filled with exciting compositions. I have used bold colours and somewhat organic shapes that evoke a village feel, in combination with seductive texture to reveal the beauty and serenity in imperfection. Whilst developing the themes and context for this series I was again inspired by a poem by Mary Oliver. ‘Today’ perfectly captured for me, the magic of less is more and the ultimate need for each of us to remain connected to our centre amidst the inevitable hubbub of modern life.
Today - Mary Oliver
Today I’m flying low and I’m
not saying a word
I’m letting all the voodoos of ambition sleep.
The world goes on as it must,
the bees in the garden rumbling a little,
the fish leaping, the gnats getting eaten.
And so forth.
But I’m taking the day off.
Quiet as a feather.
I hardly move though really I’m traveling
a terrific distance.
Stillness. One of the doors
into the temple.
As always, I have named the paintings with reference to the feelings I am painting rather than any physical object. I believe this allows for each viewer to interpret the paintings in a very personal and unique way without imposing my own feelings. The painting names in this series are inspired by the things that nurture our souls and warm our hearts – the simple things from my life which help me to find calm and reprioritise when it seems the world is just getting too busy.
autumn collection 2023
My latest series of work explores the journeys taken by women, physically, temporally, and emotionally. I have used a palette inspired by the colours of Western Australian sunrises and sunsets to depict the transitions we go through in life, from the beginning to the end of all our journeys, no matter how large or small. Indeed, the journeys from birth to death, both of which I consider to be moments of particular strength for women, are also depicted by these colours. This palette also serves to remind us that no matter where we are in our life’s journeys, the sun will come up again tomorrow and we have an opportunity for change or a fresh start.
At the time I was selecting my colours and trying to straighten out my thoughts regarding the theme for this series, I read the poem, ‘The Sun’ by Mary Oliver and felt it tied in perfectly with where I was headed with these paintings.
The Sun – Mary Oliver
Have you ever seen
anything
in your life
more wonderful
than the way the sun,
every evening,
relaxed and easy,
floats toward the horizon
and into the clouds or the hills,
or the rumpled sea,
and is gone–
and how it slides again
out of the blackness,
every morning,
on the other side of the world,
like a red flower
streaming upward on its heavenly oils,
say, on a morning in early summer,
at its perfect imperial distance–
and have you ever felt for anything
such wild love–
do you think there is anywhere, in any
language,
a word billowing enough
for the pleasure
that fills you,
as the sun
reaches out,
as it warms you
as you stand there,
empty-handed–
or have you too
turned from this world–
or have you too
gone crazy
for power,
for things?
The titles for the twelve paintings in this series came from nursery rhymes. I like to select names for my works which are somewhat whimsical and do not necessarily lead a viewer to any preconceived notions about the painting, rather, I like a viewer to make their own interpretations of my work based on how it makes them feel. Using nursery rhymes as the inspiration for the names tied in with my overall themes for this collection in a subtle way. I am now in the third phase of my life as a woman. I have been a girl and a mother, and I am now a proud grandmother. All major stages of my life and its journeys have included nursery rhymes, many of which remind me of the people, both passed and present who have been special to me.
As always, my pieces feature strong, simple graphic shapes and areas of quietness that interact with soft patterns and gentle lines. The lines signify how we move through space and time and the impressions that life and the environment leave on us. They also represent the imprints we leave behind on people and the world around us. These visual languages capture the essence and movement of our journeys, the places we visit and the rhythms and feelings they evoke.
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I understand that it can be hard to choose something that you will love forever. Perhaps it might help to get to know me a little better or read some recent journal entries I have written.